JETHRO
TULL
HERODUS ATTICUS (ACROPOLIS)/ATHENS 14 JULY 2003
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Well,
this has been a night to remember. And let me explain: It is quite an
experience to see Jethro Tull playing live, but it is almost a
metaphysical experience to having seen them playing a few meters
underneath the Parthenon, in the ancient theater of Herodus Atticus! The
ancient theater stands there for a few thousand years, and is used in
the summers for selected performances. This has been the first time that
a rock band played there, and consequently the first time that the
"Holy Rock" (as the hill of Acropolis is called) was flooded
by black t-shirts and stuff. So the band when on stage could see right
above, while the crowd opposite to the stage could see the fool moon. It
was magical to listen to Tull's folk tunes, watch the nice light show
and being in such a place of mystery which produces awe. Of
course there is always a but. So everything was perfect BUT no one is
allowed to smoke inside the theater, no one was allowed to be standing (there
was no arena-only sitting people), and the worst: there were many people
totally irrelevant to the band and its music, who have been there only
because "there was a performance at the Herodion". So in the
crowed one could see metalheads, rockers, old rockers with their family
(just to remember their wild youth - something that I find wonderful),
but also yuppies who came there just in order to say the next day that
they went to the Herodion to watch that rock band playing live, a few
children with their mothers, and other irrelevant creatures. Plus there
have been some quarrels between those who had secretly light some
cigarettes (I don't smoke but I can imagine how hard it must be for a
smoker to listen to Aqualung without smoking) and some hysterical women
who thought they were at an opera performance. And don't get me started
with us head banging under the tunes of "Locomotive Breath"
and some looking at us as if we were aliens. Anyway,
setting aside those events - that didn't prevent us from having fun -
the show was astonishing!!! The band was in a great night performance-wise
and it delivered most of its everlasting hymns in the best possible way
- needless to say that the sound was crystal clear as the acoustics of
the theater is unrivalled. The band these days consists of Ian
- of course -, Martin Barre, Andrew Giddings, Jonathan Noyce and Doane
Perry. I had heard about Anderson's unique stage performance and
exceptional sense of humor, but now that I saw him live I can verify
that the man is a total lunatic! What I enjoyed the most was his lines.
For example he humiliated someone who kept walking in front of the stage
when the band was playing, by pointing him and saying that he wanted to
piss so badly that he couldn't wait until a break between the songs etc.
Or the introduction to the songs: "Now we will play three old songs":
"Songs From The Woods", "Too Old To R-n-R, Too Young To Die" and from
"Heavy Horses", we will play a bit from "Stairway To Heaven"!!!! Don't
ask me about the complete set list, as I was so surrendered to the music,
that I cannot remember everything. I can remember that they opened with
"Leaving In the Past", and then the one classic followed the
other: "Songs From The Wood", "Too Old...", "Songs
For Jeffrey", "Fat Man" etc. The night came to an end
with "Aqualung" and "Locomotive Breath" (encore) in
total delirium! But if you ask me for the highlight of the night, then I
would argue about the exceptional performance on the magnificent "Budapest",
which carried us away. During the song Ian climbed on the ruins at the
back of the stage and stood inside a natural small cavity to deliver his
flute solo!!!! The band played 2 hours and 15 minutes and after the show
everyone was applauding in ecstasy, even the yuppies! I looked to the
old fat man next to me and saw his eyes sparkling from pleasure. Yes,
this is music's power: to bind 3 generations together as one. Rock music
is the glue of the world and Tull is one of its strong elements. by Alex Savatianos |