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CHASTAIN
“IN AN OUTRAGE”
(Massacre)
New album for Mr. David Chastain and his band which
is titled “In An Outrage”. On the vocals we found again Kate French and her performance, I must admit, is very good. David delivers some very strong guitars riffs and some great solos once again and the production is not only very heavy but flawless as well! Everything seems to work pretty well here but I believe that something is missing. Yes, the album is well produced and the band’s members give an excellent performance but after some hearings the album becomes really boring. Yes, I like heavy metal music but I like inspiration and smart choruses from song to song, something that is not happening here. The fans of the band will like the album but I didn’t quite enjoyed it, as I’m not fan of Chastain so, it was harder for me to like a kind of average heavy metal album. Yes, David is a virtuoso but this is not everything in music. I will hardly
put another time this album in my CD-player and I do not believe that “In An Outrage” can touch anyone who is not fan of the band. If you like also woman fronted heavy metal bands then listen to songs like: “In An Outrage” or “Bullet From A Gun” (the band has filmed a video clip for this song) and decide on your own. I found it rather boring after the second listening.
T.A. 5,5/10
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CHEAP TRICK
“SPECIAL ONE”
(BIG3)
I didn't know that Cheap Trick had been reunited, until the webmaster gave me this one. I thought it was a good idea, since the band had released amazing albums in the past like "Dream Police", playing an amazing mixture of "symphonic" punk, hard rock. Pushing play, and the anthem "Scent Of A Woman" introduces me to a more plain sound (in comparison to their past) yet really good. The second song, "Too Much" is impressive and I think that the new album will kick ass. The ballad "Special One" isn't bad either. But then the CD takes a weird turn: "Pop Drone" is a mid-tempo ballad, with nothing good to offer, "My Obsession" targets the American radio for sure (without being bad), "Words" is a nostalgic song based on 50's forms (reminds of songs like "Lollipop"), "Sorry Boy" is heavy and chaotic, "Best Friend" is a neo-rock mid tempo song. And then things get worse: "If I Could" with the electro introduction resembles Starsailor, and then we get two horrible disco-pop songs "Low Life In High Heels" and "Hummer", which remind me of 80's trash music! Those who have respect for our webmaster should listen to these freaky
songs, as he liked them and (remembering his former DJ career) argued that they are nice songs to be played in coffee-bars!!! Is this what we want from Cheap Trick?? Of course not! The CD is only for those disoriented listeners who can deal with fitting all these musical styles in one album. The grade would have been lower, but there are 3-4 tracks that really kick ass.
A.S. 5/10
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CIRCLE II CIRCLE
“THE MIDDLE OF NOWHERE”
(AFM)
For
those who might not know the band, Circle II Circle is the group of x-Savatage
vocalist Zak Stevens. Having enjoyed as hell the previous-debut album of the
band a couple of years ago, I was a bit suspicious of the future movements.
All the fuzz with members coming and going, the conflicts etc. I thought
that the new effort would be weak. How wrong I was!! And what a fool have I
been to believe that an album in which Stevens, Jon Oliva and Chriss Caffery
compose songs would not be great! The result here is a bit different than
the debut, heavier, yet rhythmical, less based on piano and more on guitar
riffs. Savatage influences have subsided a bit, as Stevens sings a bit
“harder” and not in the known-Sava vocal lines. However the whole
listening is so Sava-like. In fact many songs from here could easily fit in
a new Savatage album. So, I still cannot understand the reasons why Stevens
ever left the band... Anyway, great melodies, heavy riffs, multiple vocals
and excellent songwriting are some of the elements characterizing this
album. I can hardly separate some songs, as all of them are very good, but
the opening track “In This Life” is a genuine diamond. Sava fans will
definitely “bite” this one and have a good time. But in general heavy
metal fans should trust this band for qualitative listening. Yes, it reminds
Savatage a lot. So what? How can this ever be a drawback??
A.S.
8/10
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CIRCLE II CIRCLE
“WATCHING IN SILENCE”
Ok, there is one thing I don't understand: Zak Stevens left Savatage under the excuse that he wanted more time to spend with his family, and because he was tired of musician's lifestyle. I was kind of depressed then, as I liked his voice very much (especially for Savatage). One year later Zak returns to music with his own group, for which the music is co-written be Zak, John Oliva and Chris Caffery!!!! It is really odd and puts me into thinking. Anyway, we are a music zine and not a tabloid. Well, music-wise the debut album of Zak's group is honestly and beyond doubt amazing! You don't have to ask - yes it does remind of Savatage's works with Zak on the vocals, but is more than that. To be honest (and being a massive Sava fan) this one is better than Sava's last album. And this is because it more straightforward and fresh. Zak is in great shape and delivers some of the best vocals he has ever done. The style is modern heavy metal, based on melody, powerful riffs, mid-tempo and majestic, with speedy outbrakes. The bottom line is that the group managed to produce "catchy" yet qualitative refrains, which you are keen to sing over and over again. Yes, I can say that this album is addictive! I now catch myself listening to it over and over again, since it fell to my hands! It grasps you from the beginning with the nailing introduction of "Out
Of Reach" and then the river starts flowing! I can hardly single out some songs, as all of them are enchanting. However I have to refer to "Watching In Silence" which is one of the best songs of the year - and the single of the album so far. Also have to mention the piano ballad "Forgiven", where Zak and John make a remarkable duet. Choirs are mixed with desperate guitars creating noble feelings of ascension. The whole CD is flooded by sentiment, travels you from the highest mountains to green valleys and back again towards the sky. I don't know what else to write to make you understand that I am speechless. If you love heavy metal music, go and buy this album. Diamonds are forever.
A.S. 9/10
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CIRCULUS
“A LICK ON THE TIP OF AN ENVELOPE YET TO BE SENT”
(Rise Above)
Circulus
is a band coming from London and this is its debut album. This CD is
really a not easy-listening one for the metalheads, because the music that
these guys play has nothing to do with metal! Their music is difficult to
be described, but I believe it is a mixture of folk, progressive, medieval
and psychedelic rock music! I made the mistake to try and find their
influences, but I found very few things and they are all coming from other
decades or even centuries... So, I believe that the band is influenced
from Jethro Tull, medieval music (in the style of Blackmore’s Night),
Eloy, Emerson Lake and Palmer, Pink Floyd and etc!!! Their music is full
of strange sounds and folk melodies and it concludes to become hypnotic or
even psychedelic. I don’t know if there are other bands like them, but I
know that they are doing a very good work. If you are fond of new sounds
and folk rock, you are going to love this album and so it is recommended
only to the very open-minded fans of music (not only metal...). I admit
that I enjoyed very much their music and I was very surprised, so the
grade below goes for my personal liking... The most impressive tracks are:
“My Body Is Made Of Sunlight”, “The Scarecrow”, “Swallow” and
“Candlelight”.
G.K.
7,5/10
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CHILDREN OF BODOM
"HATE CREW DEATHROLL"
It is very known that Children Of Bodom are very good musicians, and that is not to difficult for someone to find out, if he just listen to an album of them or even a single song. But that fact is not the only one that I like in Children Of
Bodom. I like them also because they play really aggressively heavy and they also can write very smart, good and memorable songs. Of course another advantage for the band is the leader Alex, cause I believe he is a truly clever and "psycho" person! That's why he can combine heavy, power metal music with death metal elements and brutal vocals. Yes
I know Children Of Bodom are not the first that have done such a thing but for sure they can do it right now better than any one else! So as long as it concerns their new album, it continues from the point that they had stopped with their previous one "Follow The Reaper". But I think that "Hate Crew
Deathroll" is better than "Follow The Reaper" cause it has many good songs, better production and more heavy - death elements (not so many power metal ones), so as a result I can say that I found it much better. Well I will suggest you to listen to "Needled 247",
"Sixpounder", "Angels Don't Kill", "Chokehold (Cocked 'n' Loaded)", "Hate Crew
Deathroll" and "Lil' Bloodred Ridin' Hood" and you will surely understand the evolution that they have made as a band and as composers. The album has also a bonus track, which is a cover to Slayer's "Silent Scream" and is simply good. To overview what I said before "Hate Crew
Deathroll" is a very heavy and strong album and so sure the fans of the band must already have it. If you like Children Of Bodom just buy it, but if you don't like them i not very sure that this album will change your
mind!
T.A. 7,5/10
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CHINCHILLA
“TAKE NO PRISONERS”
(Armageddon Music)
Chinchilla is a typical case: those who are not bored to listen to teutonic power metal again and again, will definitely hail the album. All the others will possible turn their back to it. Not much differentiation from what they have released in the past, but also not much differentiation from dozens of other releases of the genre. I have to note that the lead guitars are indeed very well structured and the melodies and harmonies are very good. However there are no surprises to the songs and the whole thing seems very cliché. The only differentiation is the singer, who doesn’t sound like a Kiske replica, rather has deeper voice, offering something diverse. I personally only recommend this to people who are still not fed up with euro-power metal.
A.S. 6,5/10 |
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CHOKEHOLD
“THE KILLING HAS BEGUN”
(Casket Music)
“The Killing Has Begun” is the debut album of the metal band
Chokenhold which coming from
UK
and also featuring some members of the underground UK
death metal band Descent on its
ranks. I would say that band is playing a mix of 80s thrash/death metal
which give more space on the rhythm guitars (riffs) and on the pissed
vocals ala early Metallica, Testament and Xentrix. Especially this kind of
music has nothing to offer me anymore and I do not think that even the
younger ones would be interesting in a band that plays just like the big
ones. On the other hand, that annoying drum machine really pissed me off
(it never stops!)... and the songwriting of the band needs to be
done in a better more personal way. Ahh… please do not try to imitate
mediocre vocalists like Hetfield... mercy me!
T.A.
4,5/10
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CLOUDSCAPE
“CLOUDSCAPE”
(Metal Heaven)
This
band comes from Sweden, but it doesn’t play Swedish death metal -
surprisingly! This is the debut album from Cloudscape, and I can tell you
that the melodic-power metal they chose to play is served very well. The
band itself describes its music as “melodic, semi-progressive, symphonic
heavy metal”, and I wouldn’t argue with that... but I would put under the
broad sign of power metal. The influences here are plenty, but I would
outline Symphony X as a major one. Despite the cliché genre that the band
belongs to, Cloudscape manages to deliver some very interesting songs,
full of variations, good riffs and melodies (listen for example to “Under
Fire”). I bet that this debut will make quite an impact on power circles
and the potential for the future is great. Indeed I feel that the Swedish
seem to have enough inspiration to trace their way to European power
metal. Good effort.
A.S. 7,5/10
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COASTLINE
“COASTLINE”
(Vinny Records)
Coastline is a quite new band that’s coming from Sweden. Although their music style is being rather influenced from A.O.R./melodic rock acts like Heart, Survivor, Alyson Avenue, etc., they differ from the other bands of that genre cause they have a female singer. And this is not something very usual in this genre. I would characterized their music better as melodic rock with many pop elements, that’s based on strong vocal melodies and have a good orchestration. The production is good and exhales a sweet 80’s feeling alone with the exceptional vocals of Helena Rosendahl. I totally believe that melodic rock/pop fans will like songs like the opener A.O.R. “Restless Heart, Restless Mind”, my beloved melodious rocker “Masterplan”, the touching ballad “Can’t Live Here Without You”, the pop/rock “Desperate Heartbeats” (this song is coming straight from 80’s!), the up-tempo “One Step”, the melancholic ballad “Save Your Love” and the rocker “Miracle”. Well, all those who love, woman fronted, melodic rock/pop bands then should listen to “Coastline” and they won’t be disappointed. Time passes very nice while listening to it… so give ‘em a chance.
T.A. 7/10
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CODE
“NOUVEAU GLOAMING”
(Spikefarm)
Code is an all-star black metal band, which consists of: Kvohst (Void,
Dodheimsgard) on vocals, Vicotnik/Viper (Ved Buens End) on bass and guitars
and Aiwarikiar (ex-Ulver) on drums. This is the debut album for the band and
as you might have guessed from the names/bands above, the band plays
theatrical black metal. These guys have managed to combine the old-school
black metal (like Satyricon, Darkthrone etc.) with the
progressive/experimental black metal that Ulver, Dodheimsgard and Arcturus
have offered us the last years. Apart from the above groups, the band has
many more influences and so in this album you will be able to listen to some
parts that will remind you of Old Man’s Child, some electronic sounds and
many more! The guitars are sometimes fast and others slower something which
adds a variety to the album. All the tracks vary from each other and this is
what makes this album so good, together with the nice ideas and the
songwriting. The vocals are very theatrical, for a black metal band and
change from clean/electronic to black metal ones. Generally, this is a very
good album of experimental black metal music, which can transmit you many
different feelings... The best tracks are: “The Cotton Optic”, “Brass
Dogs”, “A Cloud Formed Teardrop Asylu”, “Tyburn”.
G.K.
7/10
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COLLAPSE 7
“IN DEEP SILENCE”
(Napalm)
Collapse 7 is a new band, which was formed by
members of other death metal bands (Pungent Stench, Belphegor and
Hellenthon). Their experiences with their past groups made them what they
are right now, and so with this album, they prove to us what they have
learned in the past years by playing nice death metal music. Although I
expected something not very interesting these guys managed to surprise me,
because they combine aggressive brutal death metal with the melodic death
metal! The vocals (Mario Klausner) are brutal and dark and sounds
interesting although that I like very few brutal vocalists… The guitars
(Werner Freinbichler and Gerry Huber) are sometimes aggressive and others
play wonderful and powerful riffs. The rhythm section (Mario on bass and
Mike Groger on drums) is very fast sometimes with classic blast-beats and
others is more calm, but in the end manages to impress. The production is
very good and helps the aggressive, dark and death atmosphere to posses
you. The best tracks here are: “Blessed With Pain”, “Into
Obscurity”, “Tombs Of Depravity” and “Legions Of Blackness”.
Generally is an interesting album and the fans of death metal will surly
find it interesting enough.
G.K.
6/10
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COLOUR HAZE
“COLOUR HAZE”
(Electrohasch)
Well,
the subtitle for this album could have been “God, what have I done and
you have cursed me to listen to this album twice in order to make the
review?”!! Goodness, this must be among the most boring albums I’ve
heard in the past year. The band wants to play a kind of doom rock, but it
totally fails. You see, if you are not like Spirit Caravan, Saint Vitus or
Black Sabbath these experiments are dangerous. Colour Haze here doesn’t
use much distortion at the majority of the tracks, creating nevertheless a
very moody sound... which becomes very monotonous. Maybe this album
targets only the friends of the band, as I don’t see any point for
someone else to buy it.
A.S. 3,5/10
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COM.PULSION
“MACHINES”
(Decadance Records)
Com.Pulsion
is a Spanish electro band that was formed in 1997 as a cover Depeche Mode
band. In 2003 the band made a deal with decadence recs and now after almost
2 years Com.Pulsion finally released its debut album. The band’s electro/synth-pop
based music is influenced, as it is obvious, by Depeche Mode and De/Vision.
Furthemore do not wait to hear 80s synth-pop music here but rather a mix of
futurepop/electro music with few 80s synth-pop elements... this album is not
so 80s as you may think. The sound of the album is very professional and the
songs are well-orchestrated. If you like electro-pop music or you worship
Depeche Mode and De/Vision you should definitely try out Com.Pulsion and you
will not regret it. One of the best albums on its genre.
T.A.
7/10
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CONCERTO MOON
“LIFE ON THE WIRE”
Concerto Moon is a band that comes from
Japan. Yes don't be surprise or don't be biased due to the country that this band comes
from. The whole result of this album, as long as I remember, differs from the most groups that come from
Japan. Concerto Moon is a professional band with great musicians, such as the virtuoso guitarist Norifuma Shima
(he seems to have many influences from guitarists like Malmsteen and
Impellitteri) and the terrific singer of the band Takashi Inoue that, it's hard to
believe, that he is Japanese! His accent will make you think that he is from Scandinavia or something like
that! In the music part of this album now, Concerto Moon as you have already
understood, play heavy/power music that have many influences from
Malmsteen, Rainbow, Impellitteri and many others guitar driven bands, and all the songs are full of
melodies. To tell the truth, I didn't expect to listen to
such a good album from Concerto Moon but as it was proved I was totally
wrong. Highlights of the album are the emotional "Guard You
Close", the heavy "Climb Up", the ala Malmsteen instrumental
"When Time Runs Out", the tremendous ballad "The
Answer", the hard rocker "It's Not Over" (especially the guitar
extended version), the powerful "Strangers" and the wonderful
"Stand By The Window". Well, I really don't know what else to write to make you believe that
"Life On The Wire" is a very good album and for sure the fans of melodic metal will like it a
lot. Try and listen to it in any way and for sure you won't
waste your time. We must at least listen to qualitative works like
"Life On The Wire".
T.A. 8/10
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CONE STEVE
“DISTORTION”
(Self-Released)
I received Steve’s two latest works almost at the same time and that’s why you are seeing another album in the reviews section. No, Steve didn’t released two albums at the same time-period. “Distortion” is the new work of Steve and I must say that is a scale above “So Lo”. So, once again Steve plays all the instruments, has written all the songs, he sings and has also made the very powerful production of the album. This guy seems to love guitar-driven 80s heavy metal music, with powerful vocals and sharp guitar riffs. While listening to this album many 80s great bands will cross your mind, but Steve has managed to give his personal stigma to the album’s final result. If you are familiar with Steve’s previous works then get this album without any hesitation ‘cause it’s probably Steve’s most mature work to date. If you do not know Steve, then “Distortion” is a very good chance to get to know him.
T.A. 7,5/10
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CONE STEVE
“SO LO”
(Self-Released)
Steve Cone is a musician, multi-instrumentalist/composer who has been
around for many years. His new solo album which is named “So Lo” is
the tenth personal work that he has released till now. Here Steve plays
all the instruments, has written all the songs, he sings and has also made
the production of the album which is very good. If you are familiar with
Steve’s previous works then you will know what to expect from him. But
if you haven’t listened to anything from Steve I must tell you that
Steve loves and plays traditional 80s heavy metal music with some epic 80s
(ala Warlord) elements. I shall also say that he is a very good player
(especially when it comes to guitar) and his powerful voice is nice and
fits to this kind of music. If you consider yourself as an 80s heavy metal
fan which like some epic elements as well then try out this release and
you won’t be disappointed. Visit Steve’s official site in order to get
this album at: www.stevecone.net.
T.A.
7/10
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CONTRADICTION
“THE VOICE OF HATRED”
(Armageddon)
Contradiction was formed in 1989 in Germany and is trying hard all these
years to become popular. The band has given hundreds of live shows so far
and has supported bands like Iced Earth, Overkill, Vader, Entombed and
Tankard. This is the third full-length album for Contradiction and the
first one under the Armageddon Music label. All the songs in this album
are aggressive with a few melodic parts. There are many guitar riffs
(Oliver Kδmper and Oliver “Koffer” Lux) in all songs and heavy -
modern guitars in general. The vocals (Oliver Lux) are aggressive, full of
hate and reminded me of the old thrash metal vocals... Their songs are
influenced from Kreator, (old) Sepultura, Pantera and The Haunted. The
only problem with this album is that when you first listen to it you
realize that this is an aggressive album, but after you have listened to
it about three or four times it becomes boring except from some very good
tracks. On the other hand the production is very modern and heavy and the
power of the rhythm section (Karsten Heyn on bass and Tim Obernyer on
drums) can blow up your speakers! The tracks that I liked were: “The
Voice Of Hatred” (the best of the album!), “Arguments”, “Nation Of
Fear” and “Engines Of Greed”.
G.K.
5/10
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CORNERSTONE
“ONCE UPON OUR YESTERDAYS”
(Massacre)
Those who are familiar with Cornerstone, I'm sure, that they would have waited for a really good new album. So, "Once Upon Our Yesterdays" is the third album of the band, which seems to balances perfectly between the music of the "Arrival" and "Human Stain". This is something that someone can easily understand if he has listened to the two previous albums of Cornerstone. Thus, what does this album have that makes it so good? It has those amazing A.O.R. elements of "Arrival" and the heaviness of "Human Stain". Also we can easily understand that the songwriting here is more mature than it was in the past. The production is also incredible and very strong. The line-up is just the same with the previous album with Kasper on guitar, and Allan Sorensen on drums. Of course Doogie and Steen are the protagonists here, once more, as they manage to write some of the best hard rock songs of this year. Doogie's voice sounds better than ever before and his performance is beyond any doubt! I believe that Doogie sings in this album like he has never sang before. His vocals are full of power, melody and sensitivity! Do you want a proof to that? Just make yourself a favour and listen immediately to the excellent hard rocker "Welcome To Forever", the astonishing power rocker "Hour Of Doom" (this song could have been very easily in the track list of Rainbow's "Stranger In Us All"!), the up-tempo rocker "21st Century Man", the superb heavy dark "Once Upon Our Yesterdays", the outstanding heartbreaking ballad "Man Without A Reason" (Doogie's voice will tear you soul apart!), the celtic-rock "End Of The World", the mid-tempo, with the epic feeling, rock tune "Scream" and the fantastic and my favorite one, mellow "Some Have Dreams" (this song has a killer chorus!). I cannot imagine any fan of melodic hard rock music, not to buy this first-rate album! It is for sure one of the best hard rock albums of this year and the best work of Cornerstone to date. I do not believe that there have been released more albums better than this one in this specific genre for this year. I think that the lovers of melodic hard rock have found a good "friend" for their "yesterdays and tomorrows"!
T.A. 8,5/10
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CORNERSTONE
"HUMAN STAIN"
Oooh Yeah! Fucking good record!!! I hadn't heard anything about them so far
and so the surprise was really big! They blew my brains to the wall!!! The
mainman behind this band is Doogie White (the singer on Rainbow's "Stranger
in us All") and also has the contribution of Royal Hunt's bass player. How
can I describe their sound without categorize them? It is really difficult
to do it as they play an amazing mixture of "guitar" heavy metal in the path
of Ozzy's earlier works, Y&T etc, embellished with a few AOR bridges, in the
way Royal Hunt use them, and with the keyboards contributing to the maximum
to create an amazing canvas for the rest to develop their ideas. Some called them
"symphonic hard rock" and I say why not? Very good work that I recommend to
everyone who likes this kind of stuff. I know that there are many good records on
this genre these days, and it is hard to follow all ofthem. But what can I
say? From what I've heard so far, Cornerstone's album is one of the top class releases
in the genre for this year so far.
A.S. 8/10
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CORPUS MORTALE
“WITH LEWD DEMEANOR”
(Neurotic)
Take out last year’s “Heretic” (Morbid Angel that is) and Bloodbath’s “Ressurection In Carnage” and this is the best Death Metal record I’ve experienced the last two years, the best brutal shit from Denmark definitely and... hell yeah I’m very happy. Old-school death metal the nu way. Not as rotten as Murder Squad but as groove as possible Corpus Mortale combine Autopsy and Entombed with Dying Fetus and Cannibal Corpse, swedish guitars, american drumming, two instrumental tracks, smart lyrics (no guts and vomits) and a killer artwork. This is for sure one of the albums of the year in death metal and the good part is still to come. This is (by the law) their debut! After one demo, three Mini CDs, some “unsuccessful recording process” for a ´99 album and a few member changes. Troubles and obstacles give death metal strength to carry on heavier? Oh yes. Wouldn’t it be wonderful to see them playing live? Oh yes…
T.K. 8/10
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COSMO
“ALIEN”
(Frontiers)
The
brothers Fran and Antonio Cosmo finally managed to release their first debut
album. Fran was busy all these years with
Boston
(he and Antonio also
participated in the last
Boston
album) and he also fronted the Orion The Hunter band in 1984 where he
released a very good album which is being considered up to date as an
excellent AOR work by many. Most of the fans/reviews were ready to hear a
new
Boston
record when they took in
theirs “Alien” but they all proven wrong. So, many have hated it… but
to tell you the truth they weren’t fair enough with Cosmo. Yes, this album
mixes together classic rock with modern rock, taking elements from the 70s,
80s and 90s music era. I totally prefer songs like “Don’t Tell Me Your
Lies”, “Helicopter”, “When I Close My Eyes” and “Can’t Run
Away” which have some more classic rock elements and a “Corporate
America” felling on them. I do not like so much (I usually skip them) the
more modern songs ‘cause I’m not a big fan of the modern rock bands of
our time or of the 90s. Do not know why Fran and Antonio didn’t released a
more straight classic rockin’ album but I can tell you that the album
ain’t that bad as some ones want you to believe. The aforementioned songs
are the highlights of the album… and you know what… 4 songs out of 11
are not such a good number… but if you like modern rock too then you will
totally find more songs to like except the ones mentioned above.
T.A.
5,5/10
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COWBOY PROSTITUTES
“COWBOY PROSTITUTES”
(Retrospect Records)
When
I reviewed the 2-track promo CD of this band some months ago, I said that
they absolutely deserve a contract to a label that deals with this kind of
music. I was impressed by their 2-track promo CD but I wanted to listen to
more songs in order to draw a better conclusion about their music. Time
has passed and Retrospect records made a smart move and signed these guys.
“Cowboy Prostitutes” is the debut album of the band, which contains
10 songs of pure 80’s hard rock music mixed with rock n’ roll
elements! The album is better than I’ve been expecting, the production
is very good and “dirty” and Luca brought to my mind all the great
singers of the 80’s. Best songs of the album are: the opener “Blood On
Your Blade”, the catchy rocker “Joy” which is embellished with a
very nice piano melody, the 80’s rocker “Welcome Back”, the sleazy
“The Damned”, the hard rock n’ roller “Alive And Well”, the hit
and my beloved “Ghost Of Venice”, with the great piano tune that
haunts the song!, and the glam rocker “Over The Top” which I had the
chance to listen to it some months ago. I do not know if you are missing
the 80’s rock era or you just can’t find good hard rock albums
nowadays but Cowboy Prostitutes are here to fill this gab. I consider this
band as one of the biggest hopes of hard rock n’ roll music of our times
and I just wish that they will never disappoint me. Anyway, they just
started their way on rock music and I want to believe that we will talk
about them in the future. If you like 80’s hard rock music along with
rock n’ roll elements then just go and get “Cowboy Prostitutes”!
T.A. 8/10
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COWBOY PROSTITUTES
“OVER THE TOP”
(Self Released)
This CD-single fell into my hands accidentally! Cowboy Prostitutes is a band that was formed in 2003 in Sweden. They just wanted to follow their hearts and to play the music that they love most. And they succeed it. Cowboys Prostitutes shows their love to bands like Motley
Crue, Kiss, Guns
N’ Roses, Poison, and in general to american hard rock music of the late
80’s, and their love to rock n’ roll music as well. The guys seem that they truly love and live by the rules of hard rock and especially the voice of Luca Isabelle will bring on your mind many great singers of the hard rock music like Bret Michaels and Vince Neil. The production of the CD-single is very good and dirty as it should be for a hard rock band. I totally like this release and I just wanted to listen to more songs
from the guys, cause only two songs are not enough. They have the potentials to do something really good and they absolutely deserve a contract with a label that deals with the specific kind of music. Do not leave those guys away from music industry cause they are ready for big things.
It’s obvious that I cannot rate this CD-single by listening only to two songs so; I will wait for their full-length album, which I hope it will be released soon. I do not know if they are selling this CD-single, but I only know that if everything goes right we will hear from them again soon… I can do no more than to tell to those people who are involved in the music industry to pay attention to Cowboy Prostitutes. As I learned the band is preparing to play some gigs during the summer and then go for a full-length release. Keep up the good work guys! You can contact them by visiting their official site at:
www.cowboyprostitutes.com.
T.A.
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CREMATORY
“GREED”
(Nuclear Blast)
Well, to tell the truth I was waiting for a long time the new songs of Crematory after I learned about their comeback. Although I
haven’t listened to the whole new album, I can tell by having listening to only the CD-single, that the guys are in a very good shape. Their musical approach continues from where they had stopped before some years with “Act Seven” but they have embellished it with more melodic, goth and “electro” parts. The song “Greed” is excellent, full of heavy guitars and melodies and it is the best track to promote their new album. The fans of the band will just love this song. The CD-single that is for sale in the CD stores, contains the single version of “Greed”, the studio version also of that song, a cover version of
Metallica’s “One”, a ballad named “Farewell
Letter” and the video clip of “Greed”. The CD-single that I've got in my hands has only three songs, which were taken of the
band’s new album “Revolution". The album was to be released in the 1st of March but due to the birth of
Marku’s daughter Janina, the recordings were taken back for a few weeks.
That’s why instead of “Revolution” they released the CD single “Greed”. Now as it concerns the other two songs that are including in my CD single version, I have to say that are very heavy and powerful and will surely satisfy the fans of the band. I'm waiting for the new album and as I have “tasted” it will be a good one.
T.A. (the whole album will be
rated)
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CRIMSON MOONLIGHT
“THE COVENANT PROGRESS”
(Rivel Records)
Here is another CD, which came into my hands from Rivel Records. Crimson
Moonlight is the name of the group. I can’t recall the group’s name or any
information about them. So, I put the CD in my stereo, before I have read the information included in the promo CD, and tried to remember if I have
listened to anything from them in the past. The first reactions were: “Nice fast and melodic black metal” and “What a nice production for a
black metal group!”. Many other groups came into my mind, when listening
to this CD and I concluded that their main influences come from groups like: Dimmu
Borgir, Old Man’s Child and Emperor. After the first listening I decide to read their biography. The group was formed in 1997 in Sweden
and since then they have released some demos and had some line-up changes.
In 2002 they signed with Rivel Records and this year they released their first full-length
album, “The Covenant Progress”. Here you can find Scandinavian melodic black metal: chaotic and aggressive black metal
vocals, super fast drumming with lots of blast beats, extremely fast guitar and bass lines that create an evil atmosphere and of course plenty
of majestic keyboards. If the group manages to create a more personal sound, they will achieve great things in the future! The booklet is also
very good and includes all lyrics, which are, by the way, very interesting
and unusual for a black metal group because the group tries to transmit the Christian message through them! Finally, the
production is very good and was made by Tomas Johansson and Carl Johan Grimmark (guitarist and
composer in Narnia). The album is recommended to those who love the previously mentioned groups and to those who want to hear the best mix of
the groups that lead the melodic black metal scene.
G.K. 6/10
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CRISIS
“LIKE SHEEP LED TO THE SLAUGHTER”
(The End Records)
After
seven years of absence, Crisis felt like it was about time to release a
new album. If you have ever listened to their music, you will probably
remember them, because Crisis is really a strange band. Their main
characteristics are that they have a female vocalist (Karyn Crisis) since
1993 (when it was not so popular for metal bands to have female
vocalists…) and that Karyn doesn’t try to imitate other female
singers. Karyn has always been trying to express all kinds of emotions
with her voice and she is doing it very well! You can hear her singing
with melodic female vocals, screaming like a frantic and then growling
with death metal vocals! The guitars (Afzaal Nasiruddeen and Jwyanza
Hobson) are sometimes very melodic and others become doomy or thrashy! The
drummer, Josh Florian, has done excellent work here and you will find some
wonderful rhythms that will liven you up. The twelve tracks included in
this album have a very good production (Billy Anderson is the producer)
and sound sick enough. I personally like their new album very much, but I
think that their music is abnormal most of the times… Fans of doom,
death or ever thrash metal who also like strange and sick music will love
them! Check them out if you can resist their sickness!
G.K.
7/10 |
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CROSS
DAVID
“CLOSER THAN SKIN”
(Noisy Records)
“Closer
Than Skin” is a truly different musical proposal from, the ex-King
Crimson violist, David Cross. David was on King Crimson in the period
‘72-‘74 and he is also responsible for the unique sound that the band
had back then. Since then, he has released several solo albums and this is
his fifth solo work. In the beginning, I thought that I was going to
listen to an instrumental album full of violin and things like that but I
was totally mistaken. “Closer Than Skin” is prog rock album with
attitude in the real use of the term. It’s full of heavy guitars, nice
vocals, steady rhythm section and of course violin tunes. It is quite hard
to describe the music style of the album but if you bring on your mind the
sound that King Crimson had in 1973 and put it under a modern prism then
you will have a good idea of what you are going to listen to by getting
this album. David mostly uses Arabian scales and makes the whole result
more dramatic while the guitars are there to put the heaviness that this
albums needs. The singer is also very good and his voice fits perfectly to
the album’s atmosphere. The music was written by Cross, bassist Mick
Paul and ex-King Crimson lyricist, Richard Palmer-James. The production is
very good and dynamic as well. The songs that I liked most from the album
were: “Are We One?”, “States Of Deception”, “Awful Love”,
“Counting”, “I Buy Silence” and “Tell Me Your Name”. If you
love King Crimson’s sound, especially in the early 70’s, and you like
to listen to prog songs without lengthy solo excursions, that can touch
your soul then you have no excuse not to buy this album. On the other
hand, if you are open minded and you do not want to listen to the same
things again and again then this album can offer something really
different to you by any means.
T.A.
8/10
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CROSSFADE
“WHITE ON BLUE”
(MTM Music)
This
album tests the musical limits of our site... and my patience too. What do
I mean? Simply that Crossfade are not rock, rather soul, pop or whatever
else you may call it... consequently have little to do with this rock
site... especially when taking into account that the “hardest” moments
of the CD only flirt with the softest AOR facet. The company is pushing
this as a “westcoast” (whatever this may mean) - AOR album. However
this CD has nothing to do with rock, as rock music’s main constituent -
the guitar - is absent or has only a supportive role. Band’s members are
experienced musicians (Per Lindvall on drums – Abba & A-Ha, Göran
Edman on vocals - Yngwie Malmsteen) and the production is indeed good, but
the songs are hollow-mellow, incapable to create any atmosphere, without
nerve and flat. I seriously think that this release aims another target
group than this site’s. This is because people who think that Michael
Bolton, Richard Marx or Boyzone are great artists and fancy their music,
may find this CD great (and it is probably better than that anyway). For
me (and hope for the rest of you too) it is crap.
A.S.
3,5/10
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CROWN, THE
"CROWNED IN TERROR"
"Crowned In Terror" is the new album, which The Crown (ex-Crown Of Thorns) released after almost three years. And what can we expect from the Crown? What else, than fast new Swedish (with some elements from At the Gates) death metal. The vocals of this album belong to Tomas Lindberg (ex-At the Gates) and once again are excellent and very brutal (Recently Tomas Lindberg parted ways with The Crown, due to personal differences). So I don't know who will sing in the next album of The Crown or who will join them in the tour. Also, the album features songs like the homonymous "Crowned In Terror", the mid-tempo "World Beyond", "The Speed Of Darkness" and "Death Metal Holocaust", that the fans of Swedish death metal and generally of death metal are going to love. "Crowned In Terror" is a very interesting album full of speed and blastbeats but only for the fans of this specific genre. The Crown is a very good band and I'm sure that
we will hear from them many good works in the future.
T.A. 5,5/10 |
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CROWN OF THORNS
"KARMA"
I
strongly believe that Crown Of Thorns made a bad decision by putting so
many modern elements in their previous work "Destiny Unknown".
That move has been finally proved that it was wrong and it's very good
that the band understood it immediately. So, the new album of the band
"Karma" is a pure melodic hard rock one and shows that they
returned back to their roots. It is also true that the album contains
many good songs such as, the up-tempo "Believer", the
mid-tempo
rocker "Before It Slips Away", the super ballad "Once In
My Life" and the unique "Shed No Tears", which is a duet
between Jean Beauvoir and the German Doro Pesch. I've always considered
bands like Crown Of Thorns among the most qualitative and hard working
ones. "Karma" is an excellent melodic hard rock album that it
will appeal to many fans of this genre. Hopefully, the hard rock genre
will never die as long as bands like Crown of Thorns releases so good
albums and the only thing that we can do is to trust all those bands
that are really trying to keep the hard rock flame alive. Go and buy
"Karma" and be sure that if you love the specific genre this
album it won't disappoint you.
T.A. 8/10 |
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CROWPATH
“RED ON CHROME”
(Copro)
Crowpath is a band coming from Sweden and “Red On Chrome” is the
band’s debut album. The content of this CD is very extreme and I believe
that this release is addressed only to very few people... Their music
style balances between death, grindcore, metalcore and noise! There are
only some riffs where you can listen clearly what the band plays, because
the rest of their “music”/sound is chaotic! There is no sense of
melody and they only sound aggressive and complicated to me. The vocals (Henrik
Ivarsson) are extreme and you will find no choruses or melodic vocals. The
drumming sometimes sounds amazing and very fast! The CD contains 13 tracks
that last only 30 minutes something not very strange for a band playing
this kind of music… Fredrik Reinedahl (In Flames, Gadget and others)
made the production, but it is not polished at all... It is chaotic and
dirty, I dare to say. I must also say that I didn’t like this album,
because I cannot understand this kind of “music” and all the tracks
sound the same to me. This album is only for those who love this “kind
of music” and know what to expect from bands like Crowpath. The rest
stay far away from it...
G.K.
3/10
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CRUACHAN
“PAGAN”
(Karmageddon)
The
special band from Ireland decided to release its forth album, under a new
label this time (Karmageddon Media). Their strange music style has made
them a unique group and this tradition continues in this new album. Celtic
music, heavy metal, black metal and folk melodies are mixed altogether!
For once again they have used traditional melodies and traditional
instruments, such as: Irish Flute, Tin Whistles, Low Whistle, Cello,
Fiddle, Pipes, Mandolin and others (most of them are played by guest
musicians). The vocals vary from wonderful female ones to aggressive black
metal screams. The guitars are melodic and many times follow the
traditional instruments and melodies by playing the same theme with these
instruments! The lyrics are excellent for once again and are talking about
the Celtic myths, history and mythology and the books of J. R. Tolkien. .
The artwork is wonderful and onirical as always. The only think that damages the whole album is the bad production and
most of all the sound of the drums… All the previously released albums
of the band had the same sound problem and I think it’s time they did
something about this… Best tracks: “Michael Collins”, “Pagan”,
“The Gael” (listen to the famous melody of the soundtrack “The Last
Of The Mohicans” played by the guitar), “Some Say The Devil Is Dead”
(influenced from the past days of Skyclad) and “The Fall Of Gondolin”.
G.K.
6,5/10
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CRUACHAN
"FOLK - LORE"
Cruachan
is a very good but not very known (till know I guess) band. This is their
third album and of course they play Folk-Metal music but in this record
the folk elements are much more than the Metal ones. The song
"Ride On" has been also released as a single and it's definitely
one of the best songs of the album. I haven't heard the original edition
of "Ride On" (it's an Irish folk song) but the review that
Cruachan have made is excellent. So if you like folk music and you want it
to be mixed with Metal elements, this is an album for your taste. A soft
and relaxing album for the sunny days of Spring.
T.A. 7/10 |
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CRYPTIC VISION
“MOMENTS OF CLARITY”
(Progrock Records)
This
is the debut album of the prog rock group from Florida. The band is
actually a co-operation of three really good and very experienced
musicians, Rick Duncan, Todd Plant and Robert Van Dyne, who have worked in
the past with many bands and in many different posts. The music of the
group is indeed interesting, and despite being a prog rock CD it is not a
re-chewing of the old recipe. In fact Cryptic Vision belong to this new
wave of prog rock bands that can be listened from non-prog freaks, in the
sense that the songs are not complicated, not too long and without the
prolonged solos and improvisations of the classic prog-rock sound.
Furthermore the band doesn’t sound progressive in the real meaning of
the term, rather is called so because of the mixture of different
influences and sounds in its music. And by saying the above things, I
don’t mean anything bad - just trying to give a stigma of the sound. On
the contrary I find the music here really good and quite atmospheric and
lyrical. Sometimes the style reminds me a lot of Pink Floyd’s “The
Final Cut” album, but then there are so many different influences.
Especially songs like “New Representative”, “Shock Value” and
“Angeline” are enchanting.
A.S.
7/10
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CRYSTAL BALL
"VIRTUAL EMPIRE"
Crystal Ball is a band that comes from Switzerland
(they formed back in 1995) and "Virtual Empire" is their third
work. They play melodic hard rock/metal and I'm sure that this album will be a nice surprise for everyone who likes melodic metal
music. The production of the album is very good, it sounds very fresh although it has a nostalgic 80's feeling
(when this genre was very popular) and of course that is a plus for the
album. Highlights are the astonishing "Am I Free?", the sentimental ballad
"Look In My Eyes" (Just listen to the crystal voice of Mark)
"Virtual Empire", "Blind Side" the
faster and the most powerful song of the album (one of my favorites
songs), the melodic mid-tempo "Talk In Circles", "Find Your
Ground", "Hands Of God" and…and…. the rest of the
songs! In the other hand, I have to say that every time that I listen to "Virtual
Empire", the same thought
came up to my mind: "What an excellent album"! Maybe some of you will think that I'm
exaggerating. But believe that "Virtual Empire" is the best album that Crystal Ball have ever released and that is obvious from the first listening of the
album. Just take a chance and listen to the new album of Crystal Ball and remember that bands like them are considering by many
(including me) as great hopes
for the future of our music. One thing is for sure: "Virtual Empire"
is a good album that you should better listen to before you buy it.
T.A. 7/10 |
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CURT SHAW
“CURT SHAW”
(CDS)
Curt
Shaw is a new metal guitarist from the
US
who has worked very hard all these
years in order to present an interesting guitar-album. Curt of course is a
very talented guitarist and his guitar technique is excellent... he is
also very fast... but my only objection here is that this album addresses
only to guitarist of instrumentalists in general. On the other hard
guitar-freaks that like to listen to all kind of guitar oriented albums
won’t find any new technique here, but the same safe leads and licks
which are played very well in my opinion. If you are not so interested
about the guitar techniques and you left yourself free to enjoy the music,
then this album has many nice moments to offer you. After all we ought to
support young talented musicians...
T.A.
6/10
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CYNICON
“CYBERNETIC”
(Spikefarm)
Let’s say a few words about this band, since this CD is their debut album. In 1996 Cyon and Ellien formed an atmospheric black metal group (Solemn) in Norway, which in the year 2000 was renamed to Cynicon. They released two demos and they finally signed a deal with Spikefarm Records. Before the recordings of this CD, Cyon and Ellien (guitars and vocals) and Cymetic (bass), found the needed members for the group, which are Ailorn (keyboards) and Mecon (drums). Their music has been changed within their demos and they now play symphonic black metal with some clean vocals and many electronic-industrial moments. The main characteristics of their sound are the heavy and aggressive riffs and the electronic sounds. On the other hand the keyboards give a symphonic and a dramatic atmosphere to this album, opposing to the thrashy rhythm section. The vocals vary from typical black metal groups, such as Dimmu Borgir, Cradle Of Filth and Emperor, to very nice clean vocals (“Intragalactic). I must admit that all the musicians that took part in this recording sound very technical and I think they have many abilities in composing interesting music. Finally, the production is excellent because it is very heavy and clean and
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